The Trident: Has a little more imaging and also nice on the midrange. The API: Has a nice midrange that I enjoy on many things. The SSL: I have used this on tracks that I want to have a bit more smack. Place a virtual channel on each track and then a mix buss on the final out. I used it on windows 7/vista and cubase 5/6 with no issues. I, however, never experienced any of the issues that the threads discussed. There were many problems at the beginning and that is well documented. I seriously cannot see myself mixing ITB again without these plugins, they truly are a MUST HAVE!Īs many of you long term gearslutz out there know, this vst has a legendary long entry on the forum. The harder you hit it.the more aggressive the sound. You can either set them all to be the same console type (via a nice Grouping Feature), or mix and match each track with a different console sound! You can even further tweak the calibration of the console based on your tracks gain/levels and how hard you want to hit this virtual desk. Neve: HUGE low end warmth with a WIDE sound stage.Įase of use - Simply slap on "channel plugin" on each of your DAW tracks and one "Buss plugin" on your master buss. Trident: Has lot of depth and 3-d'ness, overall rounder tone.ĪPI: Alot of dynamics, great for drum sounds to make them sound larger than life! SSL: Has a nice "pinched sound", a bit more aggressive in nature, a "go to" rock mix kind of sound. You can choose the flavors of some classic consoles such as SSL, Neve, Trident, API or even an older RCA tube desk! You get the nice "not so clean" summing characteristics of each console, wider sound stages, more depth, subtle gluing, or even more detailed characteristics described below. Slate Digital Created the VCC to cure those problems! Analog summing rolled into a nice plugin package. Tired of having "digititus"? Same old boring "too clean" ITB sound?
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